Neil Martin

People often ask me to categorize my work. Is this furniture or sculpture? Essentially it is both.
I originally trained and worked as a Graphic Designer, but felt that my true vocation lay in working with the beautiful material that is wood.
I made the decision to study two courses in parallel, Handmade Furniture construction under the guidance of cabinetmaker Nick Goodall and a course in Fine Art. The years spent studying and working as an artist and designer have shaped the essence of my furniture and sculpture today.
I work predominantly with native Scottish hardwoods such as Elm, Oak, Sycamore, Walnut and Yew. A small amount of exotic timber is used for inlays and detailing, these include Ebony, Cocobolo and Zebrano.
The majority of the timber is sourced from a local supplier. A good relationship with my supplier is paramount as they give me advice and information on a tree‚s history and characteristics.
Much of the timber I use would possibly be passed over by others because of knots or natural defects. However I feel the idiosyncrasies of the wood enhances the final piece and retain the character of the tree.
Each piece I create is highly individual. I start with timber in its rawest form after being kiln, solar, or air-dried. The process is part design, part intuition. Much like an artist would add layers to a painting until they are satisfied, I am stripping away the layers until I feel enough of the wood is exposed.
I try not to change too much of what nature has created, instead focusing on the inherent beauty of the wood and give it a second life through my work.

Form with oval,ash I from £300. Olive ash vessel IV £700
Olive ash vessel I scorched £440
Elm Vessel £390 Vessel for flowers,spalted hornbeam from £160

Elm form with inlay £495